~
Third stop on my international blog tour, Canterbury,
England. Thanks so much to Sophie Duncan for hosting me; it’s good to be here.
Several years ago, I went to a presentation
given by Michael Stackpole, author of I,
Jedi as well as some thirty odd other New York Times best-selling novels.
During the question and answer period, someone asked him what he does when he
experiences writer's block. He replied that there is no such thing as
"writer's block". He went on to explain that the phenomenon we
commonly call writer's block is simply a case of not knowing your characters
well enough.
Several times during the night, Mr.
Stackpole emphasized that ‘character is king’. Once you create "living,
breathing" characters, you must be willing to turn the story over to them,
and let them guide the events. After all, it’s their life you’re writing about.
As an author, you need to know your characters inside and out. You will know
things about your characters that never get printed on the page. For example,
you may know that a particular character's favorite color is green. You’ll
never write, "Tom's favorite color is green." However, when you’re
writing a scene in which he chooses out a tie to wear to a very important meeting,
you know that he’ll choose his favorite green tie.
Often, an author has blocked out a
particular story they want to tell. In order to tell that story, they invent
characters. As long as they keep their characters under control, they’ll be
able to write the story they have invented. The story will end with it being
told the way the author wanted it to be told, but the characters' lives will
suffer for it. They will finish up being two-dimensional cardboard cutouts.
This is known as a plot-driven novel.
The other sort of novel is a
character-driven novel. Although there is a plot, the lives and development of
the characters’ personalities is much more integral to what is going on in the
book. The characters in this sort of a novel will be three-dimensional,
"real" people. Reading a character-driven novel is rather like
spending time with a good friend.
Because I enjoy reading character-driven
novels, I tend to write them as well. I begin a book with a character in mind,
and a plot that consists of several goals the character needs to accomplish,
and the obstacles I intend to throw in their way. However, when the characters
start doing things I never planned on, I don't worry about it. I write the
story down the way the characters claim that it happened. Most of the time, I
can still keep the characters on track toward their primary goal, even if they
don't get there by the path I had chosen before I started writing.
I almost always end with a better story
when I follow the characters’ directions, than if I try to force them to do
things the way I want them to do them. Sometimes, I end up writing things which
are distasteful on a personal level. Some of my characters, especially the
villains and their friends, are not very nice people. They do things that are
not nice. I go back later, and edit out the worst of their actions, or at least
the dark and dirty details while leaving enough in to let you know they are bad
people.
In September 2009, I was trying to finalize
the details of the plot for story called Mindtouch,
which I intended to write for my 2009 NaNoWriMo novel. The more I tried to
think about the necessary details for the plot, the more distracted I became. Tanella's Flight had just been published
the previous April, and one of the characters from that novel, Liammial, very
much wanted me to finish writing the story of his triumphant conquest. Even
within the confines of my own brain, Liammial was actively pushing other
characters out of the way, and demanding that I finish his story. This shows the
extent of what a three-dimensional character he had become in his desire to
claim the throne.
Unable to concentrate on Mindtouch, I gathered up a few ideas and
rough-draft chapters which had been written, and commenced working on The Siege of Kwennjurat. I finished the
rough draft four hours to go before beginning Mindtouch at midnight on November 1. Even though I was purportedly
the author, as I wrote The Siege of
Kwennjurat, there were quite a few surprises that the characters dealt me.
I learned a lot about the underpinnings of the city of Jurisse and the danger
of stalk rot.
One character I had written off as a
useless idiot turned out to be a hero. Four major characters meet there and in
ways I did not anticipate. As I wrote some chapters I was laughing and
cheering, and as I wrote others, I was crying so hard I almost couldn't see my
keyboard. I feel that one of the characters was as surprised and shocked as I
was at exactly how his personal story turned out.
I knew where I wanted the book to end, and
eventually it did reach the end I wanted. However, the path there was designed
entirely by the characters that lived it, and bears very little resemblance to
the plot I had outlined. I am entirely happy with the novel in its finished
form.
I often see writers complaining online that
their characters have taken over their books. I always give them the same
answer. Don't fight it. Just go with it. You will have a better novel in the
end.
~
The
Siege of Kwennjurat is the second book in the
Kwennjurat Chronicles. Alone in Kwenndara, Princess Tanella cares for the
refugees from war-torn Jurisse, while she worries about her loved ones’ safety.
Her new husband Fergan is two days away in Renthenn, coordinating the business
of two kingdoms.
Kings Jameisaan and Fergasse join forces in
Jurisse to pursue the war against the Black Army. They know Liammial hasn't
played his last card, and are willing to give their lives to protect their
people and their children.
Who will triumph and claim the throne of
Kwennjurat?
A M Jenner lives in Gilbert, Arizona, with
her family, a car named Babycakes, several quirky computers, and around 5,000
books. A self-professed hermit, she loves to interact with her readers online.
Her books are available at www.am-jenner.com, as well as most major online
retailers.
I wondered how you deal with characters that are ugly people. I know sometimes when I read and I say OH MY I HATE that person and I wonder how a writer can put so much into a character that I would think they dislike too. How do you put so much into an "ugly" character as a "good" one. I am the type of person that has no time for people I don't care for, I don't think I could put so much effort into a character I did not like. Thus why I am not a writer I guess :)
ReplyDeleteHave no doubt, I dislike Liammial with a passion. He's a no-good, despicable, power-hungry jerk that does nothing unless it will help him reach his goal. The driving goal of his life is to be king, even though his brother is several minutes older, and he was never the heir. All of which makes him a wonderful literary villain.
DeleteMy job, as an author, is to make life difficult for the heroes of the book, so readers can feel for them and cheer for them as they overcome their obstacles. Having Liammial as a villain makes it very easy to make life tough for the heroes, because Liammial is that horrible.
I really don't know what corner of my subconscious mind creates my characters for me, but they seem to come into my stories as people, rather than as tools. Maybe my brain just works strange, but as it's helpful to my chosen career, I'm not arguing about it!
Even while I'm writing the book, I cheer for the heroes, and sometimes, I cry for them. I'm always happy when things work out well for them in the end.